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Impressionism is a very natural stage of art’s (0)… . DEVELOP
Russian painters had started their (1) … of experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism. HEARD
And yet, there is a difference between Russian and French impressionistic (2) … in terms of their subject matter, light and colour scheme . DEPICT
As far as French artists were concerned, they portrayed life differently in (3) … to Russian painters. COMPARE
However, Russian impressionists never attempted to break away from (4) … REAL
Strictly speaking, Vasily Polenov can be regarded as a path (5) … in this field. BREAK
He was one of the first Russian painters who visited Paris in the 1870s and became (6) … fascinated by impressionism. ENORMOUS
He didn’t abandon his own distinct painting style, but he made every effort to (7) … his students in Russia with his French findings and encouraged their own artistic explorations. FAMILIAR
Thanks to his (8) … support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently. ENTHUSIASM
The Moscow School of Painting, Sculpture and (9) … had never had landscape painting classes as this genre was seen as the one for amateurs. ARCHITECT

V. Polenov was the first to introduce such classes and he was (10) … besieged by students who wanted to paint nature.
VIRTUAL

Ответы

Ответ дал: ElskerNorge
5
Impressionism is a very natural stage of art’s (0) DEVELOPment.
Russian painters had started their (1) unHeard of experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism. 
And yet, there is a difference between Russian and French impressionistic (2) Depiction in terms of their subject matter, light and colour scheme . 
As far as French artists were concerned, they portrayed life differently in (3) 
COMPARison to Russian painters. 
However, Russian impressionists never attempted to break away from (4)REALity. 
Strictly speaking, Vasily Polenov can be regarded as a path (5) 
BREAKer in this field. 
He was one of the first Russian painters who visited Paris in the 1870s and became (6) 
ENORMOUSly fascinated by impressionism. 
He didn’t abandon his own distinct painting style, but he made every effort to (7) 
FAMILIARize his students in Russia with his French findings and encouraged their own artistic explorations. 
Thanks to his (8) 
ENTHUSIAStic support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently. 
The Moscow School of Painting, Sculpture and (9) 
ARCHITECTure had never had landscape painting classes as this genre was seen as the one for amateurs. 
V. Polenov was the first to introduce such classes and he was (10) 
VIRTUALly besieged by students who wanted to paint nature. 

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